ZTT at its start in the early 80's was supposed to be as artistically revolutionary as the early (and briefly) visionary days of Soviet Communism. Paul Morley, a former writer for the New Musical Express, appeared to think the ads were more important than the music; Trevor Horn was the resident Phil Spector. But after a while it seemed as if the label's signings were mere puppets dancing at the whim of the ZTTmeisters. (Another sublimity: Propaganda's "Dream Within a Dream".)