She leans on a single metallic bar railing in a rectangular doorway, perhaps on a ship, looking out over the sea. The sky is littered with stratocumulus
clouds. Hovering around her are seven large stylized rhinocerous
We have a view of her from the rear. She has flowing golden-brown hair with ringlets falling down across her shoulders. She is nude. We see an expanse of back, a breast, a nipple, her calves, the back of a knee, ankles, a foot. Two horns intersect and converge to give the impression we can see her ass. Two white globes of ass-cheek, which are and aren't hers. We see the tell-tale arc of skin where ass ends and thigh begins, but it's an illusion -- a convergence of horn, not her flesh.
Above the knee her body slides out of this reality and she becomes invisible. We see sea where there should be flesh. The metal railing breaks into pieces about the not-her, reforming on the other side. One piece encircles the tip of a horn -- a phallic horn poised to enter her from behind.
Only on the third or fourth glance did I notice the brown line running up each calf. It runs across the back of one ankle and around her left heel. She's wearing pantyhose. For some reason noticing this detail made me feel like I'd solved a puzzle. Dali does that; presents puzzles.
Young Virgin Auto-Sodomized by Her Own Chastity was created by Salvador Dali in 1954. It is part of the Playboy collection in Los Angeles, California.