Near Matches
Ignore Exact
Everything
2
Tony Awards: 1996
(
log
)
by
JDWActor
Thu Jan 26 2006 at 17:56:55
All winners are listed in
boldfaced
type.
BEST DRAMATIC
PLAY
Master Class
Terrence McNally
(playwright)
Robert Whitehead, Lewis Allen, and Spring Sirkin (producers)
Buried Child
Sam Shepard
(
playwright
)
Frederick Zollo, Nicholas Paleologos, Jane Harmon, Nina Kenneally,
Gary Sinise
, Edwin Schloss, Liz Oliver (
producers
)
Racing Demon
David Hare
(playwright)
Lincoln Center
Theater –
Andre Bishop
and Bernard Gersten (producers)
Seven Guitars
August Wilson
(playwright)
Sageworks, Benjamin Mordecai, Center Theatre Group/Ahmanson Theatre, Gordon Davidson, Herb Alpert & Margo Lion,
Scott Rudin
&
Paramount Pictures
, Jujamcyn Theaters, Goodman Theatre, Huntington Theatre Company, American Conservatory Theatre,
Manhattan Theatre Club
(producers)
BEST
MUSICAL
PLAY
Rent
Jonathan Larson
(book, music, and lyrics)
Jeffrey Seller, Kevin McCollum, Allen S. Gordon,
The New York Theatre Workshop
(producers)
Bring in ’da Noise/Bring in ’da Funk
Reg E. Gaines (book)
Ann Duquesnay, Zane Mark, Daryl Waters (music)
The
Joseph Papp
Public Theatre/
New York Shakespeare Festival
–
George C. Wolfe
and Joey Parns (producers)
Chronicle of a Death Foretold
Graciela Daniele
, Jim Lewis, and
Michael John LaChiusa
(book)
Michael John LaChiusa (music and lyrics)
Lincoln Center Theater
–
Andre Bishop
&
Bernard Gersten
, INTAR Hispanic Arts Center (producers)
Swinging on a Star
Reg E. Gaines (book)
Joe Bushkin, Erroll Garner, Robert Haggart, Jimmy Van Heusen, Arthur Johnston, James Monaco, Harold Spina (music)
Johnny Burke (music and lyrics)
Richard Seader, Mary Burke Kramer, Paul B. Berkowsky, Angels of the Arts (producers)
BEST REVIVAL OF A PLAY
A Delicate Balance
Lincoln Center
Theater – Andre Bishop and Bernard Gersten (producers)
A Midsummers Night’s Dream
Terry Allen Kramer, James L. Nederlander, Carole Shorenstein Hays,
The John F. Kennedy Center for thePerforming Arts
, Elizabeth Ireland McCann,
The Royal Shakespeare Company
(producers)
An Ideal Husband
Bill Kenwright
(producer)
Inherit the Wind
National Actors Company –
Tony Randall
(producer)
BEST REVIVAL OF A MUSICAL
The King and I
Dodger Productions,
The John F. Kennedy Center for the Performing Arts
, James M. Nederlander, Perseus Productions, John Frost, The Adelaide Festival Centre,
The Rodgers and Hammerstein Organization
(producers)
A Funny Thing Happened on the Way to the Forum
Jujamcyn Theaters,
Scott Rudin
&
Paramount Pictures
, The Viertel-Baruch-Frankel Group, Roger Berlind, Dodger Productions (producers)
Company
Roundabout Theatre Company
–
Todd Haimes
, Ellen Richard (producers)
Hello, Dolly!
Manny Kladitis, Magic Promotions and Theatricals, Pace Theatrical Group, Inc., Jon B. Platt (producers)
BEST ACTOR IN A DRAMATIC PLAY
George Grizzard –
A Delicate Balance
Philip Bosco–
Moon Over Buffalo
George C. Scott
–
Inherit the Wind
Martin Shaw –
An Ideal Husband
BEST ACTRESS IN A DRAMATIC PLAY
Zoe Caldwell –
Master Class
Carol Burnett
–
Moon Over Buffalo
Rosemary Harris –
A Delicate Balance
Elaine Stritch
–
A Delicate Balance
BEST ACTOR IN A MUSICAL PLAY
Nathan Lane
–
A Funny Thing Happened on the Way to the Forum
Savion Glover
–
Bring in ’da Noise/Bring in ’da Funk
Adam Pascal
–
Rent
Lou Diamond Philips
–
The King and I
BEST ACTRESS IN A MUSICAL PLAY
Donna Murphy
–
The King and I
Julie Andrews
–
Victor/Victoria
Crista Moore –
Big
– The Musical
Daphne Rubin-Vega –
Rent
BEST SUPPORTING ACTOR IN A DRAMATIC PLAY
Ruben Santiago-Hudson –
Seven Guitars
James Gammon –
Buried Child
Roger Robinson –
Seven Guitars
Reg Rogers –
Holiday
BEST SUPPORTING ACTRESS IN A DRAMATIC PLAY
Audra McDonald
–
Master Class
Viola Davis –
Seven Guitars
Michele Shay –
Seven Guitars
Lois Smith –
Buried Child
BEST SUPPORTING ACTOR IN A MUSICAL PLAY
Wilson Jermaine Heredia –
Rent
Lewis J. Stadlen –
A Funny Thing Happened on the Way to the Forum
Bret Tabisel –
Big
– The Musical
Scott Wise –
State Fair
BEST SUPPORTING ACTRESS IN A MUSICAL PLAY
Ann Duquesnay –
Bring in ’da Noise/Bring in ’da Funk
Joohee Choi –
The King and I
Veanne Cox –
Company
Idina Menzel –
Rent
BEST
DIRECTOR
OF A DRAMATIC PLAY
Gerald Gutierrez –
A Delicate Balance
Peter Hall –
An Ideal Husband
Lloyd Richards –
Seven Guitars
Gary Sinise
–
Buried Child
BES DIRECTOR OF A MUSICAL PLAY
George C. Wolfe
–
Bring in ’da Noise/Bring in ’da Funk
Michael Greif –
Rent
Christopher Renshaw –
The King and I
Jerry Zaks –
A Funny Thing Happened on the Way to the Forum
BEST
CHOREOGRAPHER
Savion Glover
–
Bring in ’da Noise/Bring in ’da Funk
Graciela Daniele
–
Chronicle of a Death Foretold
Susan Stroman
–
Big
– The Musical
Marlies Yearby –
Rent
BEST SCORE
Jonathan Larson
(music and lyrics) –
Rent
David Shire (music) and Richard Maltby, Jr. (lyrics) –
Big
– The Musical
Daryl Waters, Zane Mark, and Ann Duquesnay (music) and Reg E. Gaines,
George C. Wolfe
, and Ann Duquesnay (lyrics) –
Bring in ’da Noise/Bring in ’da Funk
Richard Rodgers
(music) and
Oscar Hammerstein II
(lyrics) –
State Fair
(only the songs
Driving at Night, You Never Had It So Good, When I Go Out Walking With My Baby and Boys
and
Girls Like You and Me
are eligible for Tony Award consideration.)
BEST BOOK OF A MUSICAL
Jonathan Larson
–
Rent
John Weidman
–
Big
– The Musical
Reg E. Gaines –
Bring in ’da Noise/Bring in ’da Funk
Graciela Daniele
, Jim Lewis, and
Michael John LaChiusa
–
Chronicle of a Death Foretold
BEST
SCENIC DESIGNER
Brian Thompson –
The King and I
John Lee Beatty –
A Delicate Balance
Scott Bradley –
Seven Guitars
Anthony Ward –
A Midsummer Night’s Dream
BEST
COSTUME DESIGNER
Roger Kirk –
The King and I
Jane Greenwood –
A Delicate Balance
Allison Reeds –
Buried Child
Paul Tazewell –
Bring in ’da Noise/Bring in ’da Funk
BEST
LIGHTING DESIGNER
Jules Fisher and Peggy Eisenhauer –
Bring in ’da Noise/Bring in ’da Funk
Christopher Akerland –
Seven Guitars
Blake Burba –
Rent
Nigel Levings –
The King and I
REGIONAL THEATRE AWARD
Alley Theatre of Houston
Tony Awards: 1997
Tony Awards: 1995
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