The Premise
I adore Macbeth (the Shakespeare play) and I have long wanted to do a spinoff film of Macbeth. I want it to follow Lady Macbeth and largely stick to her point of view, and that of Banquo, but never Macbeth. If I had just a massive amount of money I reckon I could bribe my way into getting a production company to pick up the film, and I don't reckon my budget for the film itself would have to be huge. The film would not be set on a stage that is vaguely medieval -- I want it to feel authentic, with an actual set. It would be set in rose gardens, courtyards shrouded in ivy, I want it to feel like a real castle, like Game of Thrones does cinematographically.
How I would do Lady Macbeth
I would want to do a film that mainly follows Lady Macbeth, particularly focusing on how Macbeth's descent into paranoid psychosis anguishes her psyche. I am fascinated with portraying her anguish not as the product of morality, but rather intense empathy toward Macbeth (empathy she is incapable of feeling toward anyone else. Which I guess makes it the product of morality, but Macbeth's morality and not her own.) I want to reimagine Lady Macbeth's true sense of guilt as a pathology growing from Macbeth's moral neurosis, which causes her to feel like the blood on his hands is on her hands; it's inherited, it's infectuous.
Delusional loyalty is what causes her suicide. She would feel this empathy due to being in a "us and them" and "partners in crime" mindset -- she loves Macbeth, despite the fact that she manipulates him, in a kind of (delusional) loyalty to him and him alone. Her suicide is some idea that her sacrifice will relieve Macbeth of his guilt -- if she turns it on herself, if she "evens it out", Macbeth will be absolved of guilt. She martyrs herself for him, the only person she is capable of loving.
I'm just infatuated with the idea of making a Lady Macbeth like the book Cercei Lannister. Extremely pretty, charming, treacherous. I really like the thought of her and Macbeth meeting in a rose garden when he goes to tell her of the prophecy, she puts a rose in Macbeth's palms and closes his hand around it. He pulls back his hand, he is bleeding, she smiles sadly and says "what's wrong with a little blood?" Ugh, it would be such a good scene.
How I would do Macbeth himself (and Banquo)
And Macbeth himself -- I adore the neurosis that plagues Macbeth, so raw, he becomes paranoid because the guilt fragments his psyche and he descends into psychosis. By the end he's numb to Lady Macbeth's suicide, I imagine him trying desparately to cope with the suffering his action has brought him, trying to numb a gaping wound that can never heal.
I also would like to depict Macbeth as not being really at all tormented specifically by killing Duncan, but rather by betraying Banquo, and I would portray Banquo as a ride-or-die for Macbeth -- it is this betrayal that seems to be the focal point of his psychosis, with him seeing the ghost of Banquo and all that. Banquo was fiercely loyal to Macbeth, but Macbeth has to view treachery as true masculinity after killing Duncan -- friendship, loyalty, Lady Macbeth has manipulated him into viewing it as weakness. He doesn't tell Lady Macbeth because he wants to demonstrate that he isn't weak, passive, and that he can demonstrate strength amidst moral adversity without being prompted.
I want a Banquo in my life.
Macduff et. al
This is where it gets a little more controversial. I would like to reimagine Macduff not as an opponent to tyrrany, but rather as seeking favor with whatever king he feels that he can get the most power and money out of. Malcolm is a logical choice because he is young, manipulatable, and in deep need of an ally. Macduff is wise to the alibi provided by Macbeth regarding the murders of Duncan and Banquo -- he knows that any attempt at growing in power and position under Macbeth's reign would be seen as a threat by and to Macbeth, so he chooses not to curry favor with Macbeth specifically, but hedges his bets with Malcolm.
Will I ever write the script?
I have a Google Doc filled with notes and notes and notes, but I haven't gotten around to breaking ground on this. It would be a movie, not a theatrical performance on film. I would emphasize the authenticity of the set, the scene, because most Shakespeare films just prioritize the acting so so so much and it's annoying and a little nauseating.
I don't know how much money I would need, but I would give anything to make this a reality some day. Some day. For now I'll see about writing a goddamn script. I have screenwriting software on my pc.