The Angels, your song whispers softly as the ships glide into San Pedro where the cocaine that was packing-crate smuggled is transferred to the trunk of a white Cadillac which soon is driving down the Harbor Freeway while the news choppers whir overhead in their beelike quest for another wreck blooming in flame and blood on the shoulder of Sepulveda Pass, where the monorail whisks the effete, their bourgeois bellies starbucks-full, to the Getty where they stand above cacti and gaze down the 405 to the sea, where the seagulls rise toward the Santa Monica Mountains and Malibu Creek, where night never falls even deep in the gulches because the city never sleeps—there is always the glow of the lights on Ventura, which never extinguish— they endlessly burn, like the flame on the hills in November—Fire Season—when residents flee from their chaparral dreams and pray for the rains, that will come (barring drought) and wash down the stilt-homes in the Malibu hills, flooding PCH to a standstill, each sig alert, like the trough of a wave down a slinky, ripples through concrete arteries till droop-faced commuters clench their fists in sullen acquiescence, and onward drive toward winking red eyes, their only companion the twitter of talkshow, banal contrivance purporting “discussion” of latest election, importance of Metro Rail, or why whores on Sunset are not libertarian, and perhaps if they’re lucky they spot the glaze at Chavez and remember hazy twilight when they played catch with Carl on green lawns in Reseda down the road from the Mall where the valley girls shopped for silver earrings (made in China) that were pried from the crates forklifted from the holds of the boats in San Pedro as their wakes drifted out toward Santa Catalina where the Hollywood buffalo roam on the hills above Emerald Bay and hear the song of the Angels in the sulfur-soaked wind.
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