Published in
1860 as the first part of his
Les Paradis Artificiel,
under the heading
Hashish, this
essay of
Baudelaire's
is also known as 'The Poem of Hashish', perhaps because it was so called
in the ubiquitous
Aleister Crowley translation, used here, which he gave as the
third part of a study called
The Herb Dangerous, published in his
Equinox.
Apparently inspired by De Quincey's Confessions of an English Opium-Eater, Baudelaire speaks with some
authority, suggesting considerable personal aqcuaintance with his subject.
The work is in five chapters:
- The Longing For Infinity
Discussing human happiness, and means of attaining it
- What is Hashish?
A brief ethnobotany and nomenclature
- The Playground of the Seraphim
A long discussion of the effects. For reasons of size, I've
taken the liberty of dividing this in three and allocating titles:
- The Musician and the Addict
- The Man of Letters
- The Woman
The Man-God
A fictional case-history is considered
Moral
Wider implications are explored, conclusions drawn
It should be born in mind that oral ingestion (eating) of
relatively large amounts of cannabis resin, as described,
is significantly more intense than 'normal' contemporary usage.
Such experiments, as Baudelaire relates, can prove inconvenient,
even catastrophic, especially if undertaken casually or without due regard to
one's environment.