by Hakim Bey
An obvious matrix for Immediatism is the party. Thus a good meal could be an Immediatist art project, especially if everyone present cooked as well as ate. Ancient Chinese & Japanese on misty autumn days would hold odor parties, where each guest would bring a homemade incense or perfume. At linked-verse parties a faulty couplet would entail the penalty of a glass of wine. Quilting bees, tableaux vivants, exquisite corpses, rituals of conviviality like Fourier's ``Museum Orgy'' (erotic costumes, poses, & skits), live music & dance--the past can be ransacked for appropriate forms, & imagination will supply more.
The difference between a 19th century quilting bee, for example, & an Immediatist quilting bee would lie in our awareness of the practice of Immediatism as a response to the sorrows of alienation & the `` death of art.''
The mail art of the '70s & the zine scene of the '80s were attempts to go beyond the mediation of art-as-commodity, & may be considered ancestors of Immediatism. However, they preserved the mediated structures of postal communication & xerography, & thus failed to overcome the isolation of the players, who remained quite literally out of touch. We wish to take the motives & discoveries of these earlier movements to their logical conclusion in an art which banishes all mediation & alienation, at least to the extent that the human condition allows.
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