What follows is a very brief description of how the Melakartha ragas work. If you're trying to get some understanding of Carnatic music and you came here, I suggest you read the Carnatic music node first. If you want to go straight to the raga catalog, skip this next bit. Everyone else: read on!


Carnatic music, the music of South India, is based on a rigidly codified system of ragas, comparable to modes in Western music. There is no absolute system of notes (i.e. C D E etc), but rather each note in a raga is relative to a tonic or root of the artist's choice. There are a maximum of seven notes, or swaras, in a raga: Sa Re Ga Ma Pa Dha Ni. Carnatic music recognizes, just like the Western system, a 12-semitone octave, and each swara is given a range of one to three semitones. Each version of the swara also has a separate name. Here is a table showing the ranges for each swara (1 is the root, and so on):

Swara          Semitone          Name
-------------------------------------
Sa                 1           Shadja
Re1                2           Shuddha Rishaba
Re2/Ga1            3           Chatushruti Rishaba/Shuddha Gandhara
Ga2/Re3            4           Sadharana Gandhara/Shatshruti Rishaba
Ga3                5           Anthara Gandhara
Ma1                6           Shuddha Madhyama
Ma2                7           Prati Madhyama
Pa                 8           Panchamam
Dha1               9           Shuddha Dhaivatha
Dha2/Ni1           10          Chatushruti Dhaivata/Shuddha Nishida
Ni2/Dha3           11          Kaishiki Nishada/Shatshruti Dhaivata
Ni3                12          Kakali Nishada

As you can see, Sa and Pa are fixed swaras; Sa is the root, and Pa is its fifth. The Melakartha ragas are the main or parent ragas that can be made from these swaras by including at least one of each swara. (Note: you can't have a raga with, say, Re3 and Ga1; Re must always be below Ga, Dha must always be below Ni, and so on). Also, all Melakartha ragas must have the same swaras going up (arohana) and coming down (avarohana). There are hundreds of janya ragas (child ragas) made by removing up to 3 swaras and having differing arohana and avarohana, but there are only 72 Melakartha ragas.

In any given Melakartha raga, there are two parts: the upper half, Pa-Dha-Ni-Sa, known as the uttaranga, and the lower half, Sa-Re-Ga-Ma, known as the purvanga. Let us examine the possible permutations of the uttaranga. Pa is fixed, Sa is fixed; Dha and Ni are the only variables. There are three Dha and three Ni, but no tone can be occupied by two swaras and Ni must always be above Dha; this leaves us with 6 combinations:

Pa-Dha1-Ni1-Sa
Pa-Dha1-Ni2-Sa
Pa-Dha1-Ni3-Sa
Pa-Dha2-Ni2-Sa
Pa-Dha2-Ni3-Sa
Pa-Dha3-Ni3-Sa

Each of the above uttarangas has a name: Pa, Sri, Go, Bhu, Ma, and Sha, respectively. Now let us examine the purvanga. In this, Sa is the only fixed swara and Re, Ga, and Ma are all variable. Let us disregard the variations in Ma for the moment and assume it is fixed: the same principles as above apply, and we get 6 combinations from 3 Re and 3 Ga. For each of those there are two Ma; therefore, there are 12 possible purvangas:

Sa-Re1-Ga1-Ma1
Sa-Re1-Ga2-Ma1
Sa-Re1-Ga3-Ma1
Sa-Re2-Ga2-Ma1
Sa-Re2-Ga3-Ma1
Sa-Re3-Ga3-Ma1
Sa-Re1-Ga1-Ma2
Sa-Re1-Ga2-Ma2
Sa-Re1-Ga3-Ma2
Sa-Re2-Ga2-Ma2
Sa-Re2-Ga3-Ma2
Sa-Re3-Ga3-Ma2

Each of the above purvangas (also called chakras), too, has a name: Indu, Netra, Agni, Veda, Bana, Ruthu, Rishi, Vasu, Brahma, Disi, Rudra, and Aditya, respectively. Combined with the 6 uttarangas, this makes 72 ragas in which all swaras are extant and the arohana is indentical to the avarohana.


The Catalog
Each Melakartha raga has associated with it a specific mood, time, setting, etc. I will node these in no particular order (i.e., the ones I know best first), but I will keep them numbered according to standard order.

    Chakra 1 - Indu

  1. Kanakangi
  2. Ratnangi
  3. Ganamoorti
  4. Vanaspati
  5. Manavati
  6. Tanaroopi
  7. Chakra 2 - Netra

  8. Senavati
  9. Hanumatodi
  10. Dhenuka
  11. Natakapriya
  12. Kokilapriya
  13. Roopavati
  14. Chakra 3 - Agni

  15. Gayakapriya
  16. Vakulabharana
  17. Mayamalavagowla
  18. Chakravaka
  19. Suryakanta
  20. Hatakambari
  21. Chakra 4 - Veda

  22. Jhankaradhwani
  23. Natabhairavi
  24. Keeravani
  25. Kharaharapriya
  26. Gowrimanohari
  27. Varunapriya
  28. Chakra 5 - Bana

  29. Mararanjani
  30. Charukeshi
  31. Sarasangi
  32. Harikambhoji
  33. Dhirashankarabharana
  34. Naganandini
  35. Chakra 6 - Rutu

  36. Yagapriya
  37. Ragavardhini
  38. Gangeyabhooshani
  39. Vagadheeshwari
  40. Shoolini
  41. Chalanata
  42. Chakra 7 - Rishi

  43. Salaga
  44. Jalarnava
  45. Jhalavarali
  46. Navaneeta
  47. Pavani
  48. Raghupriya
  49. Chakra 8 - Vasu

  50. Gavambodhi
  51. Bhavapriya
  52. Shubhapantuvarali
  53. Shadvidhamargini
  54. Suvarnangi
  55. Divyamani
  56. Chakra 9 - Brahma

  57. Dhavalambari
  58. Namanarayani
  59. Kamavardhini
  60. Ramapriya
  61. Gamanashrama
  62. Vishwambari
  63. Chakra 10 - Dishi

  64. Shyamalangi
  65. Shanmukhapriya
  66. Simhendramadhyama
  67. Hemavati
  68. Dharmavati
  69. Neetimati
  70. Chakra 11 - Rudra

  71. Kantamani
  72. Rishabhapriya
  73. Latangi
  74. Vachaspati
  75. Mechakalyani
  76. Chitrambari
  77. Chakra 12 - Agni

  78. Sucharitra
  79. Jyotiswaroopini
  80. Dhatuvardhini
  81. Nasikabhooshani
  82. Kosalam
  83. Rasikapriya

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