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The Tollund Man
by Seamus Heaney

Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eyelids,
His pointed skin cap.

In the flat country nearby
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,

Naked except for
The cap, noose and girdle,
I will stand for a long time.
Bridegroom to the goddess,

She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,

Trove of the turf-cutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.

I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate

The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,

Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.

Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names

Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.

Out there in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.

The author writes:

[A book entitled The Bog People which Heaney had read]... was chiefly concerned with preserved bodies of men and women found in the bogs of Jutland, naked, strangled or with their throats cut, disposed under the peat since early Iron Age times. The author, P.V. Glob, argues convincingly that a number of these, and in particular the Tollund Man, whose head is now preserved near Aarhus in the museum at Silkeburg, were ritual sacrifices to the Mother Goddess, the goddess of the ground who needed new bridegrooms each winter to bed with her in her sacred place, in the bog, to ensure the renewal and fertility of the territory in the spring. Taken in relation to the tradition of Irish political martyrdom for that cause whose icon is Kathleen Ni Houlihan, this is more than an archaic barbarous rite: it is an archetypal pattern. And the unforgettable photographs of these victims blended in my mind with photographs of atrocities, past and present, in the long rites of Irish political and religious struggles. When I wrote this poem, I had a completely new sensation, one of fear. It was a vow to go on pilgrimage..."
Aarhus, coincidentally, is where Bjarne Stroustrup did his doctorate; no connection between C++ and pagan rites of human sacrifice should be taken as implied.

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