Björk's newest release is somewhat of a return to the more sparse arrangements of her appropriately titled Debut, but merged with the orchestral and choral sound of Selmasongs. If anything, her singing is highlighted by the lack of dense accompaniments such as those found on Homogenic. Her voice sounds more organic in its new habitat- freer, wild. She sighs and wispers, growls and gurgles, releasing bursts of energy in vocal explosions of emotion.
An example of this new style at its best is the song "It's Not Up To You," a bubbling melody that provides the perfect balance between Björk's mostly unaccompanied vocals and flowing orchestra and harp. This balance continues on the tracks "Pagan Poetry" and "Unison-" easily the three highlights of the album. Another high point is "Frosti," Björk's first instrumental track, if one discounts various remixes. Even though the point is usually Björk's vocals, the track provides a nice short interlude in the middle of the record.
The rest of the album is pleasant enough lyrically and musically to merit a high assessment, but does not stand up to the best Björk offers. For example, the track "Heirloom" offers too little compelling musical background, and goes on a bit too long, with a change in the viewpoint from first to second person doubling the length of the song- but Björk's angelic voice makes its length forgivable. This is basically the case with even the musically lackluster of the songs; Björk's voice soothes the savage beast within the cold, dark heart of the critic.
So now I can't wait for winter- I haven't mentioned it yet, but this is a winter album- an album that deserves a snow covered view, a hot cocoa, and thoughts of love. Sue me if that sounds maudlin, but I'm sure you'll agree once you hear it.