The original incarnation of the band which became Throwing Muses, circa 1982, was known as
Kristin Hersh and The Muses, and consisted of stepsisters Kristin Hersh (naturally) and
Tanya Donelly both on guitar and vocals (though Kristin was the more
dominant in songwriting and vocals), in addition to Elaine Adamendes on bass
and Becca Blumen on drums. This lineup was never signed, but recorded demos and
early versions of what later became Throwing Muses songs.
The next incarnation of the band, around 1983, replaced Becca with David Narcizo on drums, and
the name changed to Throwing Muses (Muses being typically thought of as female
characters...). This group recorded more demos (including as The Doghouse Cassette in 1984 which
went on to form the bulk of the material on the second disk of the 1998
double-CD release In A Doghouse), as well as a single released on the Blowing Fuses label.
- Call Me
- Sinkhole
- Green
- Hate My Way
- Vicky's Box
- America (She Can't Say No)
- Fear
- Raise the Roses
- And A She-Wolf After The War
- Fish
In 1985, Elaine was replaced by Leslie Langston, the band were signed to 4AD and
in 1986 recorded their eponymous debut album. This lineup remained fairly stable for
a while, recording The Fat Skier, House Tornado, and Hunkpapa.
- Call Me
- Green
- Hate My Way
- Vicky's Box
- Rabbits Dying
- America
- Fear
- Stand Up
- Soul Soldiers
- Delicate Cutters
- Garoux des Larmes
- Pools in Eyes
- A Feeling
- Soap and Water
- And a She-Wolf After the War
- You Cage
- Colder
- Mexican Women
- River
- Juno
- Marriage Tree
- Run Letter
- Saving Grace
- Drive
- Downtown
- Giant
- Walking in the Dark
- Devil's Roof
- Bea
- Dizzy
- No Parachutes
- Dragonhead
- Say Goodbye (A very much shorter version of the song on Ramona)
- Fall Down
- I'm Alive
- Angel
- Mania
- The Burrow
- Take
- Santa Claus
In 1990, Leslie Langston was replaced by Fred Abong, and Tanya got involved with
The Breeders as a side-project though still remaining in the 'Muses. 1991 saw the
release of The Real Ramona album, and the single that almost got them a 'hit', Counting
Backwards; shortly after which Tanya left the group to form Belly.
- Counting Backwards
- Him Dancing
- Red Shoes
- Graffiti
- Golden Thing
- Ellen West
- Dylan
- Hook In Her Head
- Not Too Soon
- Honeychain
- Say Goodbye
- Two Step
The next album, Red Heaven saw Kristin picking up the slack left by Tanya,
and the inclusion of a collaboration with Bob Mould (of Husker Du)
It feels a very transitional album, the band unsure of their old
Kafka-influenced roots. And indeed it was, with the next album, 1994's University
marking the departure of Fred and his replacement by Bernard Georges, and a return to
some of the powerful pop sounds of Hunkpapa and The Real Ramona, to
critical acclaim and some reasonable commercial success.
- Furious
- Firepile
- Dio (with Bob Mould)
- Dirty Water
- Stroll
- Pearl
- Summer St
- Vic
- Backroad
- The Visit
- Dovey
- Rosetta Stone
- Carnival Wig
- Bright Yellow Gun
- Start
- Hazing
- Shimmer
- Calm Down, Come Down
- Crabtown
- Now Way in Hell
- Surf Cowboy
- That's All You Wanted
- Teller
- University
- Snakeface
- Flood
- Fever Few
Shortly before splitting (no pun intended), they released Limbo in 1996, whose title track
still haunts me to this day...
Picture this gun; I'm tired of crying... I'm going to run.
Post-breakup, Bernard and David went on to form Lakuna, while Kristin has
worked solo for four albums, but peaked early with her debut solo single, Your Ghost, featuring
Michael Stipe on backing vocals.
March 25, 2003
And then, in late 2002/early 2003, the 'Muses reformed for a tour and a new album. Still Kristin, Bernard and David, but also joined by Tanya Donelly for backing vocals on a few album tracks.
Confusingly, the new album is named Throwing Muses, just like the eponymous debut album. Released on 17th March 2003 (in the UK at least), tracks are:
Throwing Muses
- Mercury
- Pretty or Not
- Civil Disobedience
- Pandora's Box
- Status Quo
- Speed and Sleep
- Portia
- Solar Dip
- Epiphany
- Los Flamingos
- Half Blast
- Flying
It's a very raw sounding album, with fairly simple instrumentation, and no complicated guitar overdubs. In many ways it actually reminds me of Riot Act, though it's still distinctly Muses in pace.
Also, I managed to catch them on tour, at the Astoria in London last week. I'm still awed.
Sources
http://www.evo.org/html/group/throwingmuses.html
http://www.geocities.com/Hollywood/1625/tanya_timeline.html
http://www.rccinc.com/Users/Tyler/fanmag.html
~
mcewanca/.
workmandb for track listings... :)