Smell my feet
Give me something good to eat!

Not too big
not too small
Just the size of Montreal!

tee hee hee

None of us had dressed for Halloween for years, and we were concerned that our age might provoke a negative reaction. (We ventured far from our college, into residential areas used to trick-or-treaters less than half our age.) What we discovered instead were warm smiles, generous people, and an interesting sort of mixed interaction. While we were partly perceived as trick-or-treaters -- and thus categorized as 'children' -- we were also perceived as adults, and received the 'above-their-heads' knowing smiles and nods given to the parents shepherding their tiny masked ghouls, tigers and fairies around.


It's good that she runs with me when I take the dog out every other day. (We run on the flat parts and downhill, and walk up the hills. It's a lot like life.) It's the only time that I hear the stories that lie hidden when we're in the car, riding along with that mind-numbed autodeath that seems to come when you're in transit. They call it comfortable silence, but we know it's really the lapse of spirit when the ass is flat. For some strange reason, when the ass in upright and being a part of a blood-pumping, sweating, living and breathing body, the mouth loosens up. When we're at home, the death of consciousness takes over. So these outings, every other day, are the best time to find out what happens between those two ears that border the brain that controls the body which used to sit on my lap and cuddle with me, or play rough on the bed. She'll be driving herself in cars in just a couple of months, so who knows how much longer I have to find out where she's at?

The best age was somewhere around three or four or five. It's hard to remember. You wait so long for them to be able to talk to you, and then there's a point where you wish they'd shut up. That window of perfection is between three and five, for sure.

We take the Lhasa Apso out every other day, and up at the top of the route there's a bunch of houses with a bunch of little kids. They're out there, playing in the yards, almost every time we go by. We know them now, by name and by personality. The ones we pay special attention to are in that three to five age range. She knows that was special. We don't discuss it, but she knows life will never be better than that. She might say something like, "Man, I'm jealous of those kids," and we don't need to dissect that statement. She knows I know and I know it, too. I'm not so old that I can't remember perfect bliss of the moment living.

One of the kids is named Danny. He's a little blonde boy with a touch of madness in him. He'll build little ramps to ride his bicycle over, trying his best to make sure he never has to go to school and get a job. The other day, we're running by his house and he's beating the ground with a plastic hockey stick. I say, "Hey, Danny. What are you doing?" He says, "I'm fighting the fire ants." As we're passing away, I say, "The ants will win, Danny. . . They always win."

My daughter starts laughing like crazy. She thinks this is the funniest thing she's heard all day. She says it reminds her of the bad remake of Invaders From Mars, a stupid science fiction movie we saw a long time ago, about a space craft that lands and this little boy is the only one in town who knows the danger. The aliens set up shop underground and start planting these chips in people, in the backs of their necks. There's this one evil lady (Mrs. McKeltch, played by Louise Fletcher) from his school who is running after him, shouting, "I'll get you, David Gardner!" That was our special laugh-getter for a while. All we had to do, in any situation, was say, "I'll get you, David Gardner!" and everything was funny again.

Before that, it was a thing from the Dracula story. She always loved scary stories, and instead of reading a bedtime story, we'd lie there in bed in the dark, telling made up scary stories to each other. Sometimes we’d make them up together. I’d tell a little part and then she’d tell a little part and we’d keep going until someone would end it. That was hardly fair on my part, since I had a lifetime of stupid horror movies and comic books and my own sometimes very scary life under my belt, and she was having to do what real storytellers do: Make it up from imagination alone. She’d hold her own, however.

One night, I was telling my version of the Dracula story to her, and when it got to the Undead part, I tried to do an echo thing like you hear on bad car commercials. You know: Saying, "Undead. . undead. . undead. . undead. ." with each one trailing off at the end. Well, she starting laughing her little ass off and all the fear quotient of the story just turned to hilarity. That "undead" deal lasted a long time, but the "I'll get you, David Gardner" took it's place eventually. After that, it was the "Piper doon" and "Heeed" from So I Married an Axe Murderer. She thinks like I do, so we usually laugh at the same stuff.

But here's why I'm telling you all this (I think). Yesterday we were running by those houses and the little brunette girl, Katie, who loves my dog, started running along with us. We stopped and started to walk, and she said, "I learned how to jog today!"

I said, "Didn't you already know how to run?"

"Uh-huh."

"Well, running is just another word for jogging, isn't it?"

"Nuh-uh. You gots to do your knees different when you jog."

"Oh," I said. "I think I know what you mean. Well, are you going trick or treating this year?"

"Nuh-uh. The man on TV said kids couldn't do trick or treat 'cause folks would try to poison us. So we gotta go to our church or somewhere elst inside."

My heart sank. My daughter couldn't think of anything to say. We reached the stop sign where we had to turn left and run down the big hill. Katie said, "This is my boundary. I can't go past here."

Her boundary, indeed. I patted her on her little head and said, "Honey, no grown up around here is going to hurt you. I promise. OK?"

I wish I had known something better to tell her. But she smiled, like they do at that age, and said, "Bye." And then she yelled, "Bye, Mitzi!" to my dog as we ran away, down that hill. Leaving her there, still waving.

I’m hoping that one day soon, my daughter and little Katie and little Danny and I can all have a big bowl of buttered popcorn as we watch a public hanging on her big screen TV.

Trick or Treating In London, England

Halloween is very unEnglish idea, the lack of a real local "community" means the idea of knocking on stranger's door and asking for sweets (candy) or money(!) is looked down upon.

Of course the sheer hideousness of British teenagers can turn Halloween into a dreaded night, as they come along, not in fancy dress, and mumble "Trick or Treat" and then proceed to turn your front door into an omlette if you don't satisfy them financially - more or less a protection racket.

Also it's accused of scaring old people - who have no idea of what halloween is - to death, the fact it's an evening of "begging", the dangers to independent children, etc, etc all combine to make parents pray their own children never want to go trick or treat.

The real problem is however British children watch more American cartoons than anything else, and American cartoons advertise the Apple Pie image to British children very well so that Halloween means fun, TONS of sweets and non-stop slightly scary adventure.

Then they ask their parents :

British Child - Mummy it's halloween today, I wanna go trick and treating?
British parent - It's Hallo-what? Hallo? Ween? Oh no that's an American thing dear, we don't do that.
Child - Noooo! All my cartoons were showing trick or treat, and I wanna do it!!!!!
Parent - Look, they were American cartoons, we don't knock on doors for no reason in England, it will scare the old people and it's dangerous and it's begging and...
Child - *on the verge of major tantrum* I WANT TO GO TRICK OR TREATING!!!!
Parent - *cursing the cartoons* Damn, okay, then WE can go to ONE house - (*usually a relative) - and do ONE trick or treat, okay?
Child - *sniffles* Okay!
Parent - Now, go and dress up as some kind of bloody goblin you got five minutes, and hurry up!!! My soap is on in 20 minutes. *checks watch*

The child then proceeds to put some ragbag costume on, and the parents phones up the relative/close friend they're going to knock for, to forewarn them to have some sweets ready.

Then the said child is rushed over to knock on the said door, say "trick or treat" and gets given some mediocre sweets and leaves with his dreams of an American cartoon-like Halloween thoroughly crushed.

N.B. Most British parents save up their bonhomie for Bonfire Night which is a much more enjoyably British affair - torturing and burning Catholics + fireworks.

I don't know where Pseudo Intellectual grew up, but where I come from the rhyme is a little more scandalous:

Trick or Treat
Smell my feet
Give me something good to eat!
If you don't
I don't care
I'll pull down your underwear!

It's also a classic 1986 horror film, which I really like. Alternatively it's called Ragman or Death at 33 RPM, but its "main" title is Trick or Treat.

Now, younger readers might not recall this, and I only heard about it second hand because although I am a crusty old millennial I am not that crusty and old to remember this the first time round, but there was in the 1980s a conspiracy theory that the music industry was inserting Satanic messages into their records via subliminal encoding, and you could hear them if you played the record backwards. This wasn't just a few cranks saying this, but such theories penetrated the halls of the US Government as well. You know how into the 2000s and even the 2010s (i.e. until most people started buying music via streaming like good little consoomers as opposed to physical copies like sensible people) there were these stickers on album covers saying, "parental advisory, explicit lyrics" in black and white? That came about because of the general moral panic about how music those days which mentions sex and horror is corrupting our youth, atop all the backmasking and deals with Beelzebub! Think of the children! Because this moral panic had as its face one Tipper Gore, wife of Internet inventor and scourge of ManBearPig Al Gore, it became known as the Tipper Sticker. And now you know.

Trick or Treat takes this idea as its foundational idea. What if, despite all the conspiratarding from evangelicals and Concerned Parents, there was a record out there which was haunted, and if you played it backwards, it would summon something genuinely evil?

So. Enter out dauntless hero, Eddie Weinbauer, aka Ragman. Played by a Marc Price, he's a mulleted teenage headbanger. He likes heavy metal and lives in a godawful small town of boringness called Lakeridge. It's never explained exactly where it is but given that the film contained location shootings in Wilmington, North Carolina, I'm assuming that it also is in North Carolina. He likes rocking out to all the great 1980s bands like Anthrax and Motley Crue and Slayer and Iron Maiden but his ultimate hero is Sammy Curr. You see, Sammy Curr, hesher hero, was the only notable person to have ever come from the yawnful locale that is Lakeridge and was even an alumnus of the school that Eddie goes to. He also likes various other nerd pursuits including Dungeons & Dragons, and is kind of an outcast and is ignored or bullied by his classmates to various degrees. Apart from a girl called Leslie (played by a Lisa Orgolini) who secretly fancies him but wouldn't admit it because that would render her a target also. Ahhhh. Aren't teenagers lovely. Eddie also befriends the DJ at his friendly local heavy metal radio station, a gentlemen known only as Nuke, who is played by Gene Simmons. Yes. That one. The Kiss frontman who would attend the opening of a letter, Gene Simmons. Who breaks to Ragman the following two items of bad news:

  1. Sammy Curr has been banned from reappearing at his former school's Halloween party by moral majority types.
  2. Sammy Curr also died in a freak hotel fire just recently.

However all is not lost, for Sammy, before his death, entrusted to Nuke a one off test pressing of an album that he recorded to only be played in the event of his demise, named "Songs in the Key of Death." Nuke lends it to Ragman because he knows that our dauntless protagonist is Sammy's biggest fan. Eddie takes it home and plays it.

He then overhears his mother downstairs watching some talk show where a televangelist is debating a music industry person about backmasking and how yes, there are Satanic messages in music encoded backwards in them. Hilariously the televangelist is played by Ozzy Osborne. Yes. That one. He even keeps his Brummie accent for it. Ragman thinks, welp, what could possibly go wrong, and plays Songs in the Key of Death backwards.

Wouldn't you know it, there's a hidden message from Sammy from BEYOND THE GRAVE on the record, and by playing it backwards Eddie "Ragman" Weinbauer has inadvertently resurrected him from the dead. Sammy is out for blood on the small-minded moral majority types that he was surrounded by, and has the power not only to blast lightning bolts from his guitar but to turn into an analog audio signal and record himself to tapes or other audio formats, as well as electrocute people who hear him. He records himself to a very distinctive cassette tape and says to Eddie that unless Eddie manages to sneak the recording into the sound system at the forthcoming school dance, he, Sammy, will subject Eddie to a gruesome demise. Oh, and the sheer force of Sammy's awesome rockingness literally blows Eddie's speakers.

Needless to say, this does not go according to plan. The chief bully steals the tape with Sammy on it from Eddie in the toilet, chief bully's girlfriend listens to it in the back of the car while chief bully is trying to persuade her to let him have a go on her, and gets electrocuted through her headphones and her ears melted to the rest of her head. Eddie manages, with Leslie's help, to retrieve the tape, intending to destroy it now he knows what Sammy can do, but wouldn't you know it, this act of rebellion causes Sammy Curr to emerge from the PA and start massacring everyone by playing his lightning blasting guitar at them (which the audience think is an actual cover band and think is great until the electrocution starts), and then discloses that he's coming for Eddie as well, so now Eddie has to put the malevolent yet totally fuckin' awesome genie back in the bottle somehow.

Trick or Treat is a film that is way better than it has any right to be. This will be partly coloured by the fact that I was one of those teenage heshers at that age who liked nerd pursuits and music that unleashed the fuckin' FURY on your FACE. And not that watered down nu-metal shit either. But proper thrash, death, black, and power metal by bands who do shows in sticky-floored clubs where stage diving is mandatory. I still am, in fact, though I've also more recently been getting into synthwave as well. Thing is, listening to Anthrax and Slayer in 1986 was considered uncool the same way as listening to Iced Earth and Children of Bodom and Rhapsody and Demon Burger was in 2002. And High Wycombe is in fact as boring and shite as the fictional Lakefield, North Carolina is portrayed as. But the film also puts it into perspective. At the end of the day, you're only a teenager for a limited number of years, and then you can fuck off out of your shit hometown and try to make something of yourself. The acting is kind of wonky at times though, and everything about the film is aggressively 1980s. Big hair! Moral panics! Even the scene where Eddie's mother wonders what on earth is going on while she's doing a Jane Fonda workout video in eye-watering Lycra and legwarmers. Part of the reason it works, though, is that there's an honesty about it. You can tell that the writers and producers were themselves headbangers. They got Gene Simmons and Ozzy Osbourne to appear on it, and were trying to get Blackie Lawless of WASP to play Sammy but he turned it down. The posters and LPS in Eddie's room and paraphernalia are all the sort of things that actual headbangers would and still do accumulate. However, I don't think any working class or lower middle class teenager in 1986 would have a stereo system as top drawer as Eddie's is. Come on. I've watched enough Techmoan to know that that's a Technics SL-1200 turntable, and that that is a pretty high end tape deck he records Sammy onto a tape with, and even that the tape is a TDK MA-R cassette which in and of itself was an expensive thing because it had a hefty metal shell and TDK's best tapestock of the time. It was the sort of tape that was intended for musicians to record demos on and for audiophiles. Not to mention his waist high speakers. Even I as an adult would balk at a separates based stacker stereo system, but then I have my Sharp VZ-2000 Brixton Briefcase, so I don't really need one. The soundtrack is also worthy of note; they got the band Fastway to record an original bang-the-head-that-doesn't-bang one for it.

I recommend this. Maybe less so if you aren't a headbanger but it's just plain fun in that sort of limited budget 1980s horror way. It may be technically and performatively rough around the edges, but it's a clear labour of love, and it has more heart to it than any current year over-CGI'd sludge. If you do like this sort of thing, I recommend Fright Night, Chopping Mall, and From Beyond as well.

(IN24/27)

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